论文部分内容阅读
中国画里,我偏爱山水画,尤其是董源以来的南派山水。因为偏爱,老是怕别人看不懂进而看不起,这些柔山弱水文人羸士,每看之下,冷清寡淡,几乎大同小异,无甚新意——这样小看别人,未免觉得有点不好意思,但要是觉得大家爱看山水画,如同爱看范冰冰的时装周造型一样,那肯定是我脑袋发昏了。看山水画时,常常会想在画面上作画的那个人曾经是怎样的年龄、喜憎和激情,但实际上能看到的只会是笔力的老稚、心境的静躁以及画者用眼用心的所在。传统文人山水画的妙处,真的
In Chinese painting, I prefer landscape paintings, especially the Southern School landscape since Dong Yuan. Because of their preference, they are often afraid of others failing to understand and thus look down upon them. Every time you look at them, you are almost indifferent, But if you think you love to see landscape paintings, like watching Fan Bingbing’s fashion week shape, it must be my head fainted. When I look at landscape paintings, I often wonder what age, love, and passion the man who painted on the screen used to be, but in reality he could only see the childish, the quiet, the quiet and the painter’s eyes Where you are. The beauty of traditional landscape painting, really