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《金鼓集》——李振玉同志这本戏剧评论集,收入了他从十一届三中全会后至1992年发表的部分文章。文章大体可分四类:一类是对具体剧目的研究和评论,如川剧《梁祝》、川剧《白蛇传》等;一类是专题性研究和评论,如《昆剧的继承与革新》、《历史剧问题》等。这二类文章,研究和评论的立足点在具体剧目,但又非就戏论戏。而是从理论的高度去审视和阐发评论的对象,所以时时流露出一些新颖的精辟的见解;第三类是综合性评论,即是把一年创作上演的剧目,择其有代表性的,进行具体的分析。指出其成就、不足和存在的问题.
“Golden Drum Set” - Comrade Li Zhenyu’s commentary on this drama, has collected some of his articles published since the Third Plenary Session of the Eleventh Central Committee to 1992. There are four main types of articles: one is the research and comment on specific plays, such as the “Butterfly Lovers” in Sichuan Opera and the “White Snake” in Sichuan Opera; the other is thematic research and commentary such as “Inheritance and Innovation of Kunju Opera” “Historical drama issues” and so on. The two types of articles, research and commentary have a foothold on the specific repertoire, but not on the drama. But from the theoretical perspective to examine and elucidate the object of the comment, so always reveal some insightful and insightful insights; The third category is a comprehensive review, that is, the repertoire of the year creation, choose its representative, Specific analysis. Point out its achievements, shortcomings and existing problems.