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《红王妃》是玛格丽特.德拉布尔传统和创新写作艺术的完美结合。德拉布尔将对女性的生存困境和命运的研究置于东西方世界甚至全人类的角度上,她努力寻找不同时代,民族文化和世界观的深层联系。本文从其不确定审美特征入手,概括分析了这一特点在《红王妃》中作为东西方文化结合体的女主人公的形象,揭示了《红王妃》中德拉布尔关于女性甚至全人类在不同时间空间上统一的世界观,阐释了其中东西方对于全人类思想有相互交融的一面。德拉布尔的所创作的事物介于真实与虚幻、真实与幻想之间,小说与历史之间。其中的人物处在一个不稳定的世界,消解了时空的概念,面临着一些共同的不确定因素。
The “Red Princess” is the perfect combination of the traditional and innovative writing art of Margaret Drabble. Drabble puts the study of women’s survival predicament and destiny on the perspective of the East and the West as well as all mankind. She tries hard to find out the deep connection between different ages, national cultures and worldviews. This article begins with its indefinite aesthetic features and analyzes the image of this heroine as the heroine of the Eastern and Western cultures in the “Red Princess”. It reveals that Drabble in the “Red Queen” is different from the female or even the entire human being A unified view of the world in time and space expounds the aspect in which East and West converge on the idea of mankind as a whole. What Drew Boer created was between reality and fantasy, between reality and fantasy, between fiction and history. One of the characters is in an unstable world, eliminating the concept of space-time, facing some common uncertainties.