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绝版木刻画作为独具云南本土民族文化特征的美术画种，理应在高校美术专业教学 中得到继承和发扬。资源优化、传承为本。重点学科的设立应与相应的工作室教学模式配套 实施。设立绝版木刻工作室应形成规模,建立系统的教学体系,制定长远的学科目标。
Out-of-print woodcut painting, as a unique art type of Yunnan native culture, should be inherited and carried forward in fine arts teaching in colleges and universities. Resource optimization, heritage-based. The establishment of key disciplines should be carried out with the corresponding studio teaching mode. The establishment of out of print woodcut studio should form a scale, the establishment of a systematic teaching system, the formulation of long-term academic goals.