自古以来,工笔重彩画就以其特有的线条造型、色彩见长,人物画更是如此。尽可求取其辉煌、浓艳、淡雅、雕饰的夸张之美,可无论怎样的夸张、雕饰,其抒情达意应该是质朴的、率真的。就因它的华丽、浓艳与雕饰,使得一部分画者很难把握其分寸。适度的夸张可为雅品,而稍不留神,便步入俗列,以致有人一提起工笔重彩画特别是人物画便皱起眉头,尽显鄙夷之态。 Since ancient times, the heavy tai painting on its unique lines shape, color Kyo, figure painting is even more so. As far as possible to get its brilliant, rich Yan, elegant, carved exaggerated beauty, no matter how exaggerated, carved, its lyrical meaning should be simple, straightforward. Because of its gorgeous, richly colored and carved, making it difficult for some of the painters to grasp the sense of proportion. Moderate exaggeration can be elegant, but a bit careless, then entered the vulgar, so that when someone mentioned the heavy tai painting, especially the figure painting will be frowned, 尽显 contempt.