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明末清初在中国出现一种复古风尚,特别是在文人之间掀起一股赏古崇古之风,收藏趋向转为以古为美,人们更喜爱收藏古代的书画、三代的铜器、宋代的窑器,由于这些藏品时代久远,不易得到,文人又转而收藏明代的宣德、成化、永乐、嘉靖官窑瓷器,并且开始仿制古代铜器、玉器、瓷器造型,这个时期出现一个仿古高峰。在这种趋势下,当时的德化窑中也出现仿古造型,本文以香炉、合卺杯、花觚和塑像等为例,阐述了德化窑中出现的仿古器及德化窑和同时期的景德镇官窑瓷器、铜器、珐琅、玉器及黄花梨、犀角雕刻等工艺间的互仿,这同时也是对中华民族传统文化的传承与创新。
In the late Ming Dynasty and early Qing Dynasty, a retro style appeared in China. Especially, there was a style of worshiping the ancient traditions among the scholars. The collection tends to turn the ancient into the beautiful. People prefer to collect ancient calligraphy and painting, three generations of bronze ware, Because of the long history of these collections, the literati turned to collect Xuande, Chenghua, Yongle and Jiajing Guanyao porcelains of the Ming Dynasty and began to imitate the ancient bronze, jade and porcelain forms. During this period, an antique peak. In this trend, there were also antique styling in Dehua Kiln at that time. In this paper, the censer, Dehua kiln and Dehua kiln in the period of Dehua kiln and the same period Jingdezhen porcelain kilns, bronze, enamel, jade and pear, rhinoceros horn carving and other crafts between the imitation, which is also the traditional Chinese culture heritage and innovation.