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谁是阿巴斯?美国人说,他是“新现实主义电影旗手”、“第七艺术的人文卫士”、“当代影坛的绝对巨星”。这些标签太空洞、无力了。据说,他还是个不称职的画家,—位坐在汽车里的摄影师,和半路出家的诗人。许多有关他迥异身份的论调,都试图探寻出他作品中艺术类型融合的痕迹,它们几乎都在发出感叹后陷入迷惘。法国那本以晦涩著称的《电影手册》也不能免俗,他们曾发过一篇关于阿巴斯的论文,标题就是:“你是谁,基亚罗斯塔米先生?”其实,阿巴斯就是那个戴着茶色墨镜,穿着帆布鞋,语气中有着令人生畏的温情的伊朗老头;
Who is Abbas? Americans say he is “the flag of the new realist movie bearer”, “the seventh art of human defender”, “the absolute superstar of contemporary film”. These tags are hollow and weak. He is said to be an incompetent painter, a photographer sitting in a car, and a half-aged poet. Much of his rhetoric about disparate identities attempts to find traces of the fusion of artistic genres in his compositions, almost all of which are lost in exclamation. The obscure French film book “France” is not immune to excesses. They sent an essay on Abbas titled: “Who are you, Mr. Kia Rostami?” Actually, Sri Lanka is the old Iranian man wearing tinted sunglasses, wearing canvas shoes and having a daunting warmth in his tone;