声部层次在音乐中一直占有重要地位,演奏者的演奏水平有部分取决于声部层次的体现。拉赫玛尼诺夫的许多作品中的新颖又深刻的创作手法都由横纵交错的声部线条中体现,音画练习曲op.39作为拉赫玛尼诺夫的重要作品,其中的声部层次有许多值得研究的内容。本文会从《音画练习曲》中的声部层次展开具体讨论。 Part level in the music has always played an important role, the performance level of the player depends in part on the level of the embodiment of the part. The novel and profound techniques of writing in many of Rachmaninoff’s works are embodied in the lines of the lines of sinuousness and invisibility. As the important piece of Rachmaninoff’s op.39, There are many worthwhile studies at the department level. This article will be from the “Etude Etudes” in the level of voice to start a specific discussion.