影视作品,向来被人们广喻为除文学之外的第二道精神大餐,如何让餐品丰富起来,一直是编者、导者、演者、观者孜孜以求的目标。近年来,中国电影人可以说在探索与实践中取得了比较好的成绩,大批优秀作品走上了荧屏,同时也走进了观众的心里。然而,随着物质生活脚步的加快,人们对精神产品的需求也越来越大,尤其是当前社会中比较“前卫”的青少年一族,更是对“新、奇、特”的东西情有独钟。这就出现了一种让内地电影人猝不及防的一幕,那就是低劣娱乐片对内地荧屏的“狂轰乱炸”。这种现象主要表现在因家庭影院的普及而引发的大量盗版VCD的泛滥上。 Film and television works have always been widely known by people as the second spiritual meal in addition to literature. How to make the meal rich has always been the goal pursued by editors, leaders, performers and viewers. In recent years, Chinese filmmakers can say that they have achieved relatively good results in their exploration and practice. A large number of outstanding works have taken the screen and they have also entered the audience’s heart. However, as the pace of material life accelerates, people’s demand for spiritual products is also growing. Especially in the current society, young people who are more “avant-garde” are even more independent of things like “new, strange and special” bell. There was a scene where mainland filmmakers were caught off guard, that is, “bad bombings” of poor entertainment on the screen in the Mainland. This phenomenon is mainly reflected in the spread of a large number of pirated VCDs caused by popularization of home theater.