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在墨西哥大学城的奈扎华尔戈约特大厅与国立图书馆之间,人们可以看见一片旷野,那上边,除了迭积着火山岩,便是丛生的荆棘。然而,岩石与荆棘中,矗立着一座座造型独特,风格卓然的结构体,从而,使这块荒野的景色顿生异彩。可以说,杂芜的灌木和嶙峋的岩石构成这块“雕塑展览场”的主干,各式各样、五花八门的结构点缀其间,这,就是墨西哥大学城空间雕塑。眼下,人们已无法回避这样一种“创造”理论;艺术家的创造力和大自然的神功正日益揉为一体。且看这些雕塑的造形与自然地势的吻合,再看它们的外观同自然色彩的辉映,犹如在我们眼前展示了一幅壮观而奇异的原始画图。新近几年出现的这种以现代物质作骨骼的雕塑,难道表达了一种新的思想,抑或代表着一种新的潮
Between the Nyhavn Götlitt Hall in the University City of Mexico and the National Library, one can see a wilderness, above which, in addition to superimposing volcanic rocks, is a thorny bush. However, rocks and thorns stand in a uniquely shaped and distinctively shaped structure, giving the landscape of this wilderness a splendid sight. It can be said that the bushes of shrubs and grotesque rocks form the backbone of this “sculpture exhibition site.” There are various kinds of structures with various structures interspersed with them. This is the space sculpture of the University City of Mexico. Right now, people can no longer evade such a theory of “creation”; the creativity of artists and the deities of nature are increasingly being integrated. And look at the shape of these sculptures consistent with the natural topography, and then look at their appearance with the natural color of the show, as if before us in front of us a magnificent and bizarre original drawing. Did the new sculptures of modern materials that have emerged in recent years express a new thought or represent a new wave?