什么是绘画的“艺术语言”?它的特定涵意是什么?以我的理解,无过于画家把自己对某阶段社会领域、自然现象的关注、理解、看法,通过掌握的某种绘画的技法、造型能力、构成因素、形成法则等,以自己特有的形式和程序把它从画面上表达出来,达到与观赏者以交流,或产生共识和理解。这大概是广义的解释。语言的精辟、生动与否?其一,这与画家自身对表达对象的认识,理解的深度有关;其二,与画家掌握理解绘画自身的“语言规则”、“辞汇量”多少的精活程度有关。我把绘画中运用的技法、造型能力、构成因素、形式法则等可以传授,绘画时都能利用带有“共性”的东西,统理解为“技术因素”或者称“技术含量”,把画家所独有的,不能直接传授替代的审美意识,世界观、艺术真理的崇尚性,观察和思考问题的方位性,理解为“艺术修养因素”,或称“文化精神”。 What is the “artistic language” of painting? What is its specific meaning? In my understanding, there is no such thing as painter putting his attention, comprehension and view on certain social fields and natural phenomena at a certain stage, , Modeling ability, composition factors, forming rules, etc., with its own unique form and procedure to express it from the screen, to reach with the audience to exchange, or to generate consensus and understanding. This is probably a broad interpretation. First, it is related to the painter’s own understanding and depth of understanding of the object of expression. Second, he understands how to understand the “rules of language” and “how much his vocabulary” Degree related. I can use the technique, the modeling ability, the composition factor, the form rule that I used in the painting to be able to teach, the painting can use something with “commonality”, the solution is “technical factor” or “technical content” Unique, can not be imparted directly to alternative aesthetic awareness, world view, the worship of artistic truth, observation and thinking of the orientation, understood as “art accomplishment factor”, or “cultural spirit.”