清宫《石渠宝笈》续编著录的唐寅《西山草堂图》卷是一件值得研究的明画精品,幅上本无唐寅款,只钤有唐寅私印,另有书写者接纸题诗,后署有唐寅款印,有些扑朔迷离。幅上有乾隆皇帝的收藏印,后被他赏赐给户部尚书于敏中;但其上又有嘉庆、宣统皇帝的收藏印。该图是否为唐寅的真迹?画与书是何种关系?为何两次入清宫?其中有何历史纠葛?本文尝试一一破解。 The “Shushan Baotang” re-entry recorded by Qing Shi “Shi Dun Ba Tuo” is a brilliant piece of Ming Dynasty painting worthy of study. There is no Tangyin section in this book, but only Tang Yin private seal, and another writer picks up the poem, Department has Tang Yin models, some complicated and confusing. There is a collection of Qianlong Emperor’s collection of India, after he was awarded to the Ministry of the Shang Shu Yu Min; but there are Jiaqing, Xuantong emperor’s collection of India. What is the relationship between the painting and the book? Why two times into the palace? Which historical disputes? This article attempts to crack one by one.