在中国画特别是国画人物画领域,近百年来围绕着西学中用的问题争议探讨从未间断。实践中几代人投入心智才华,数十年为之探索努力进取。其成果,欣赏者视为经典,质疑者还在置疑。如今此项课题研究仍不失其现实意义。本文仅从造型角度择其理法要点,承接前人成果推进分析研究,以求新得。一、引进西法的切实性选择及其之后的影响回顾当初引进西方写实造型理法,目的是针对那时国人所画写形衰弱且积习不进的状况,以促其变。正如徐悲鸿先生所讲“夫写人不 In the field of Chinese painting, especially traditional Chinese painting figure painting, the discussion on the issues concerning the use of Western learning in the past century has never stopped. In practice, generations of people devote their talents to exploration and strive to forge ahead for decades. Its achievements, appreciation as a classic, doubts still in doubt. Today’s research is still without any loss of its practical significance. In this paper, only from the modeling point of view to choose its points of law, to undertake the previous achievements in promoting analysis and research in order to obtain a new. I. The Practical Choice of Introducing the Western Law and its Impact After the introduction of the Western realistic modeling approach, the objective was to promote the change of the situation drawn by the writers who were not well advanced by the Chinese at that time. As Mr. Xu Beihong said ”husband write no