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一《巴蜀风——十五人书法艺术展》再一次使我感到一个地区的人文传统对这个地区书风的影响。一九八三年,我从云南到成都。一进四川,感觉迥然不同,云南色彩鲜明、自然纯朴,蜀中则湿润、灵秀、雅致,处处透出亲切的历史感。这虽然与我的旅途见闻有关,但这种印象至今不灭。十五位作者和他们的作品又一次唤醒了这种感觉。穿过展厅,作品给人的总体印象十分清晰:流动、清隽。如果说,传统风格书法作品以把握传统中的文化气息为前提,那么这个展览的作者们无疑已把握了通往传统之核的途径。
A “Bashu style - fifteen calligraphy art exhibition” once again made me feel a regional humanistic tradition of the style of writing in the area. In 1983, I traveled from Yunnan to Chengdu. Into Sichuan, I feel very different, Yunnan bright colors, natural simplicity, while in Shu moist, elegant, elegant, everywhere reveals a warm sense of history. Although this is related to my journey, this impression has not diminished so far. Again, fifteen authors and their works awakened this feeling. Through the exhibition hall, the overall impression given to the work is very clear: the flow, Qing Jun. If the traditional style of calligraphic work is based on the cultural atmosphere of the tradition, then the authors of the exhibition undoubtedly have mastered the path to the traditional nucleus.