在中国电影90年辉煌的历史文化背景中,都市青春片作为一种非主流类型片不能算作一种多么有分量的存在,无论是在国际国内的领奖台上还是在理论权威们的话语系统中,它总像一只羞怯的长不大的丑小鸭,以其“小情调”而被屏之于大手笔、大题材、大制作之外。然而,在我们即将迈向一个新的世纪之际,都市青春片正以其充满竞争活力的新的品格,日益显示其无法征服的艺术魅力。 In the splendid historical and cultural background of 90 years of Chinese film, metropolitan youth film can not be regarded as a kind of non-mainstream type of film, no matter at the international and domestic podium or in the discourse of theoretical authorities System, it always looks like a shy little ugly duckling, with its “little mood” and was screen in generous, big theme, big production outside. However, as we approach a new century, urban youth films are increasingly showing their invincible artistic charm with their new and energetic character.