最近,我在一本瑞典芭蕾舞杂志上读到了一篇由英国芭蕾舞评论家撰写的文章,看后如同醍醐灌顶。文章批评道:“从前关注度在舞者身上,现在却转而投向演出公司和舞蹈编排。”“越来越难以辨认每个舞者的个性之处。”“舞蹈巨星去哪了?”我不禁要问:舞蹈个性去哪了,各种奇思妙想的个性萌芽去哪了? Recently, I read an article written by a British ballet critic in a Swedish ballet magazine. The article criticized: “The focus of attention on the dancers, but now turned to show companies and choreography.” “It is increasingly difficult to identify the individuality of each dancer.” “Dance superstar to go Where’s it? ”I can not help but ask: Where is the dance personality, where the germination of all kinds of whimsy?