从古代至近世,日本与中国文化始终有着千丝万缕的联系,同时又保持着自身的独特性、生动性和差异性。日本文化中的日本美学思想,乃至这种美学思想背后的日本哲学,一直是自20世纪郁达夫、戴季陶等人以来中国学者关注的重点。要想审视与批判日本人的审美意识,日本文学是一个较为妥善、依据较多的切入点。而诺贝尔文学奖的获得者、日本“新感觉派”的代表人物川端康成,无疑是日本文学中的重要 From ancient to recent ages, Japan and the Chinese culture always have inextricably linked, while maintaining its uniqueness, vividness and diversity. Japanese aesthetics in Japanese culture and even the Japanese philosophy behind this aesthetics have always been the focus of Chinese scholars since Yu Dafu and Dai Jitao in the 20th century. In order to examine and criticize the Japanese aesthetic awareness, Japanese literature is a more appropriate, more based on the entry point. The winner of the Nobel Prize for Literature, Kawabata Yasunari, the representative of Japan’s “New Sensationist School,” is undoubtedly an important part of Japanese literature