任何艺术形式都能体现出艺术家的个人情怀,但陈长芬的摄影艺术中所展现的单维有限性,超越了现代艺术中那种以写实为根基,以虚无为点缀,以荒诞为骨血,以后现代为调侃的狂想新自我。本文仅以《大地》、《星空》、《长城》三部作品为例,揭示和探究陈长芬摄影艺术的内涵。 Any form of art can reflect the artist’s personal feelings, but Chen Chang-fen’s photography shows the single-dimensional limitations, beyond the kind of modern art that is based on realism, in order to embellishment, absurd for the blood, after the modern For the ridiculous fantasy new self. This article only takes the works of “The Earth”, “Starry Sky” and “The Great Wall” as examples to reveal and explore the connotation of Chen Changfen’s photography art.