我的方式是以不同的创作形态或媒材去对应自己创作思考中的问题,借此梳理并发展自己的创作脉络。《艺术沙龙》:您怎样评价“70后”“80后”画家的艺术创作?黄柏维:每个时代的创作者可能都有一些共同的特质。在台湾,“70后”“80后”艺术家的艺术创作有很多的面向。其中有个特质是我个人觉得有趣的,就是所谓无厘头式的创作元素。这种无厘头的方式类似达达时期的自由书写,创作建立的方式打破了规则或是方法论,以一种无目的、任意拼接、挪用的方式打破逻辑性的生产过程。但又不像达达那么激进要推翻什么,而是用所谓的“微革命”“弱绘画”等概念进行创作,对应出现实世界的荒谬或是问题所在。作 My approach is to use different forms of creation or media to correspond to my own creative thinking in order to sort out and develop my own creative context. “Art Salon”: How do you rate “70 after ” “80 after ” painter’s artistic creation? Huang Baiwei: creators of each age may have some common characteristics. In Taiwan, there are many facets for the artist’s artistic creation. One of the traits I personally find interesting is the so-called creative element that does not make sense. This nonsense approach is similar to the free writing in the Dada period. The method of creation broke the rules or methodology and broke the logic of production in a non-purpose, arbitrary splicing and embezzlement. But unlike what Dada was so radical to overthrow, he used the so-called concepts of “micro-revolution” and “weak painting” to create the real world riddles or problems. Make