在当下的文学生产与传播中,有三种力量从事着文学经典的建构:一是以宣传文化主管部门为代表的官方,它从国家、政党意志出发,“打造”着能体现主流意识形态的经典;二是以出版商、媒体为代表的市场,由于经济利益的驱动,以市场化的运作方式制造着能够获得最大化利润的经典;三是以文学研究者、评论者为代表的学院,出于文学史叙述的需要,或者是建立当代文学秩序以及掌握话语权的需要,进行着文学经典建设。在这样一个价值多元、众声喧哗的时代,“泛经典化”也就成为一种事实。 In the current literary production and dissemination, there are three kinds of forces that are engaged in the construction of the literary canon: one is the official represented by the propaganda and cultural department, which embodies the mainstream ideology from the will of the state and the political party Classic; second is a market represented by publishers and media, driven by economic interests, with a market-oriented mode of operation to create the classic that can maximize profits; third is to literature researchers, commentators as the representative of the college Out of the needs of the narrative history of literature, or the need to establish the contemporary literary order and the right to speak, carry on the literary classics construction. In such an era of multi-value and all-out noises, it becomes a fact that pan-classicalization has become a reality.