杨德昌在影片《一一》中塑造了人到中年的主人公简南俊即NJ(吴念真饰)的形象,在他身上投射和总结了自己的人生经验和感悟,来探讨当代都市社会中一个儒者的生存状态。《一一》中的儒者NJ显得温和、包容,尽可能地融入当代社会生活,然而面对欲壑难填的物欲现实时,传统儒学价值观、伦理观支撑下的儒者NJ在家庭婚姻、事业情感上都处于无法逃脱的困境,陷入了深深的困惑和无奈之中。 In the film “11,” Yang Dechang shaped the image of the middle-aged hero Jian Nanjun (NJ), projecting and summarizing his life experiences and sentiments to explore the survival of a Confucian in contemporary urban society status. Confucianism in the “one in one”, NJ, appears to be gentle, tolerant and incorporates as much as possible into contemporary social life. However, in the face of the materialistic desire to fill the gap, the Confucian NJ under the support of traditional Confucian values ​​and ethics is at the stage of family marriage and career sentiment Can not escape the plight of falling into a deep confusion and helplessness.