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古装动漫电影以其特殊的历史文化主题、立体精致的唯美造型、典雅含蓄的韵味意境为中国的电影界增添了浓墨重彩的一笔。而色彩作为动漫电影中一个极其重要的视觉元素,也经历了从20世纪40年代的《铁扇公主》黑白二维默片到60年代万氏兄弟创作的《大闹天宫》立体三维彩色动画的一个演化阶段。本篇文章聚焦色彩元素的特性与作用,就古装动漫电影而论,分析具有中国特色的色彩是如何与其他电影元素相互配合与运作以发挥起审美目的的。
Ancient costume animation film with its special theme of history and culture, three-dimensional exquisite aesthetic style, elegant and subtle charm mood for the Chinese film industry adds a touch of color. Color, as an extremely important visual element in anime movies, has also undergone a three-dimensional color animation from the black and white two-dimensional silent film of “Iron Princess” in the 1940s to the “Havoc in Heaven” created in the 1960s Evolution stage. This article focuses on the characteristics and functions of color elements. On the basis of the costume animation films, this article analyzes how the colors with Chinese characteristics cooperate with other film elements to play an aesthetic purpose.