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“尼姑思凡”是中国古代文学的传统题材,特别是古代戏曲作为市民娱乐消遣的主要方式,常常把思凡的尼姑作为表现对象。相比于杂剧和戏文,明清传奇的篇幅较长,结构更为精巧复杂。这一体制使作者有更大的篇幅和空间去塑造角色,人物形象因而更加立体和全面。因此,在明清传奇的范畴内对“思凡”类尼姑形象进行考察具有独特的研究价值和意义。本文试将明清传奇中的“思凡”类尼姑形象进行系统的分类和梳理,并尝试对不同类型的“思凡”尼姑形象之间的差异进行探讨和分析。
“Nun Sifan ” is the traditional theme of ancient Chinese literature, especially the ancient opera as the main way of entertainment for the public, often the Sifan Nun as the object of expression. Compared to the drama and theatrical, Ming and Qing dynasties lengthened the length of the structure is more delicate and complex. This system allows the author to have more space and space to shape the character, thus the character image is more three-dimensional and comprehensive. Therefore, it is of unique research value and significance to study the image of “Sifan” class nuns in the Ming and Qing dynasties. This paper systematically classifies and sorts the images of the “Sifan” class nuns in the legendary legends of the Ming and Qing dynasties and tries to discuss and analyze the differences between the images of different types of “Sifan” nuns.