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题款之于中国画,是不可或缺的,也不是“画不够、题款湊”。一、现状四年前,我曾经写过一篇文章,就上一届全国美展的中国画作品作了这样的分析:获奖的中国画作品九十幅,无款、无印者三十幅,仅名款者二十三幅,这两类占六成。剩下三十多幅,除掉基本不该是中国画的十几幅(应该是水彩、水粉、油画,甚至有一幅是建筑效果图),所剩题款完整、书法也说得过去、钤印也基本正确的“纯正中国画”仅十幅左右。这就是当前中国画的现状。我感叹:中国画已经不再“中国”!
Inscriptions on Chinese painting, is indispensable, nor is it “enough painting, inscribed items”. First, the status quo Four years ago, I had written an article on the last National Art Exhibition of Chinese painting made the analysis: 90 winning Chinese painting works, no money, no print 30, only Twenty-three models, these two categories accounted for Liu Cheng. The remaining more than 30 pieces, remove the basic should not be more than a dozen Chinese paintings (should be watercolor, gouache, oil painting, and even one is the construction renderings), the remaining topics are complete, calligraphy is also fair to say, Correct “pure Chinese painting ” only about ten. This is the current situation of Chinese painting. I lamented: Chinese painting no longer “China ”!