自唐代以来,王羲之的《兰亭序》作为历代书家们临习书法的样本,在不同的时期,受不同书学理论和艺术风气的影响,形成各自不同的临写风格。特别是元代以后,随着《兰亭序》拓本的广泛流传,加之书坛领袖赵孟頫等人的大力倡导,使得后世书家对《兰亭序》摹 Since the Tang Dynasty, Wang Xizhi’s “Orchid Pavilion Preface”, as a sample of calligraphies by ancient calligraphists, has been influenced by different book theories and artistic styles at different times to form different temporary writing styles. Especially after the Yuan Dynasty, with the extensive circulation of “Lanting Preface” and the vigorous advocacy of the leader of the calligraphy circle Zhao Mengfu and others,