郑天则的创作呈现了雕塑家对待自然物象的一种典型方式。他将自然形态以非常主观的方式纯粹、抽离,升华,通过对雕塑材料的处理将观者对自然物质的感官体验推向极致,当艺术家将雕塑材料的某种特征发挥到一定程度时,形而上的精神性就不期而至了。近年来材料观的重新审视使他的精神领悟力不断推进,并有了新的艺术结论。郑天则在对形态的主观抽离之后追求高度的精神性,使得看似表现普通人物的雕塑出现了更深层的意义。在郑天则的作品中,对 The creation of Zheng Tianze presents a typical way for sculptors to treat natural objects. He treated the natural form in a very subjective way purely, withdrew and sublimated. Through the processing of the sculpture material, the artist’s sensory experience of the natural material was pushed to the extreme. When the artist exerted certain characteristics of the sculpture material to a certain extent, Metaphysical spirituality is unexpected. In recent years, the re-examination of the material concept has enabled him to continuously push forward his spiritual comprehension and have reached new artistic conclusions. Zheng Tian pursuit of a high degree of spirituality after the subjective withdrawal of the form, making the sculpture appears to be more ordinary people appear to have a deeper meaning. In Zheng Tianzai’s works, yes