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圆霖法师以画观音出名,声誉与徐悲鸿的马、齐白石的虾几乎并驾齐驱。然在圆霖法师建构的佛教人物造型体系里,观音只是部分的题材,更多精彩的乐章还隐藏在观音图式的背后。这些还没有充分挖掘认识的艺术价值符号中,僧伽人物形象就占有很大的比例。僧伽人物实际上是得道高僧的叙事,个性化强烈,没有佛神系列规范严谨,因而给予艺术家加工创作的空间广泛,艺术符号与表现技法基本没有统一的纸本。所以僧伽人物最为文人士夫阶层所乐道,
Yuan Lin Master famous painting Guanyin, reputation and Xu Beihong horse, Qi Baishi shrimp almost go hand in hand. However, in the Buddhist character modeling system built by Master Yuanlin, Guanyin is only part of the theme, and more wonderful movements are also hidden behind the Guanyin schema. Among the symbols of the artistic value that have not yet been fully tapped into understanding, the image of the Sangha occupies a large proportion. The characters of Sangha actually gain the monk’s narrative. They are highly individualized. There is no strict norms for the Buddha-God series, so there is ample scope for the artists to create their works. There is basically no uniform paper for artistic symbols and expressions. Therefore, the most literati Sinhalese literati class,