自本世纪三十年代起,日本影坛就为五十年代的黄金时间铺排和潜埋了优良的人才(明星)基础。其间,女影星始终伫立于东瀛电影阵线的最前沿。田中绢代则是这前沿的先驱,身为日本性格演员“活字典”,田中绢代还是后来日本女演员“隔代梯队”的开拓者。所谓“隔代梯队”,也就是吐故纳新,约每十年有一批电影新人问世,时至今日,日本影坛大体已有五代女影人出现。更令人叹为观止的,是这五代女星现下基本仍旧活跃在电影圈内,而且是新老“同操一室”。 饶有兴味的还有,每一代东瀛电影女星的阵容组成,都以一座别致的五角星位面貌出现。通常意义上,这个五星各角均有自己的象征与表意。直观看,双下角的女星是当代资深实力演员,两翼为风头正劲者,而顶尖的则是后起新星。若以图像表示,就是—— Since the 1930s, Japanese cinema has laid and buried the excellent talent (celebrity) foundation for prime time in the 1950s. In the meantime, the female movie star has always stood at the forefront of the Japanese movie front. Tanaka silk generation is the forefront of this pioneer, as the Japanese character actor “Living Dictionary”, Tanaka silk generation or later Japanese actress “every generation” as the pioneer. The so-called “every generation of echelons”, that is, spit new entrants, about every ten years there are a number of new film come out, up to now, the Japanese film has been roughly five generations of female filmmakers. Even more impressive is that these five generations of actresses are still basically active in the film circle, but also the new and old, “with a gym.” Also interesting, each generation of Japanese actress film composition, all with a unique five-pointed star appearance. In the usual sense, each of the five-star horns has its own symbol and expression. Intuitively, the double bottom corner of the actress is a veteran actor, two wings for the limelight, and the top is the new star. If the image that is -