关于人物头和身体的比例关系,前人从现实生活现象中观察总结:一个身材匀称的成年人,全身的高度相当于七个头。在民间也流传着一个口诀:站七、坐五、盘三半。所以要画好人物画,掌握人物的比例、结构关系是前提。在人物写生画的教学中,学院派强调整体来把握,即在写生过程中必须思考整体与局部的关系,遵循从整体入手到局部的刻画,再由局部回到整体调整的造型规律。写实是基础,是基本的硬功夫。儿童写生画《我的同学》却揭示出成人写生与儿童写生的巨大差异。首先 As for the proportional relationship between the head and the body, the predecessors observe and conclude from the phenomenon of real life: a well-proportioned adult, the height of the whole body is equivalent to seven heads. In the folk also spread a recipe: Station seven, take five, disk three and a half. So to draw a good figure painting, to grasp the proportion of characters, the structural relationship is the premise. In the drawing of figure sketching, the academic school emphasizes the whole to grasp that in the process of sketching, we must think about the relationship between the whole and the part, follow the whole portrayal from the whole to the local portrayal, and then go back to the regulation of the overall shape. Realism is the foundation, is the basic hard work. Child drawing “My classmates” reveals a huge difference between adult sketches and children’s sketching. First of all