“像个剧院,像个中国的剧院,像个天安门附近的剧院。”这是有关部门对于国家大剧院的期待。但非常吊诡的是,最终他们却选择了一个由并不熟悉中国文化的法国人保罗·安德鲁设计的非常前卫的超现代建筑。这太不合逻辑了!于是,流言四起,人们纷纷臆度其中定有猫腻。也许确实有其事,但这肯定不是有关部门痛下决心选择此一方案的主要原因。在这里,略微回顾一下历史及整个社会的思潮可能有助于我们更宏观认识02 “Like a theater, like a Chinese theater, like a theater near Tiananmen.” "This is the department's expectations of the National Grand Theater. But very paradoxically, they finally chose a very avant-garde ultra-modern architecture designed by the Frenchman Paul Andrew, who is not familiar with Chinese culture. This is too illogical! So, gossip everywhere, people have speculated which tricky. This may indeed be true, but this certainly is not the main reason why the relevant departments have made pains to choose this plan. Here, a brief review of historical and social trends may help us to understand more macro 02