“齐梁体”诗是盛唐诗人在近体律诗定型后刻意仿效齐梁诗风或诗律而创作的一种新诗体。岑参《夜过磐豆隔河望永乐寄闺中效齐梁体》诗不仅在表现题材和诗情、诗境等方面效齐梁赠妇寄闺之作,而且在写法上也通篇皆对、假物比象,充分体现了“齐梁体”绮秀映带的艺术特点。王昌龄《诗格》“齐梁调声”条反映了盛唐人对“齐梁体”诗调声之术的初步认识和理论总结,后人谓唐代即有“齐梁调诗”是对此书原文的误读。杜甫戏作的“吴体诗”《愁》与唐人所作、所论“齐梁体”在诗歌体式和格律方面均有显著之差异,“吴体”与“齐梁体”是截然不同的两种诗体。盛唐人之所以不太热衷创作“齐梁体”诗,存在主客观两方面的因素,而时人普遍对齐梁绮靡诗风和严苛诗律持批判态度是其中主要原因。 “Qiliang body ” poem is a kind of new poetic style that the poet of the prosperous Tang Dynasty deliberately imitated Qiliang poetry style or poem law after the stereotyped style of the near body spirit style. Cen Sen “Night across the pan beans across the river Yongle send girlfriends Zhongqi beam body” poetry not only in the performance of the theme and poetic, poetry and other aspects Qi Liang gifts women send boudoir, but also in the wording also throughout , Artifacts than the elephant, fully embodies the “Qiliang body ” Qi Xiu Ying belt artistic characteristics. Wang Changling’s “Poetry Style” and “Qi Liang Diao Diao” reflected the initial understanding and theoretical summary of the technique of tone tuning of the poem “Qi Liang Ti” by the Tang Dynasty. Transfer Poems “is a misunderstanding of the original text of this book. Du Fu’s play ”Wu style poem“ and ”worry“ and the Tang made by the people, the ”Qiliang body“ in poetry style and style are significant differences, ”Wu body“ and ”Qiliang body “Is a very different style of poetry. The reason why Tang people are less keen to create ”Qiliang body " poem, there are two main factors of subjective and objective factors, but when the people generally align Liang Qizui poetic style and harsh poetry critical attitude is one of the main reasons.