清代大画家郑板桥在66岁时,写了一首脍炙人口的总结画竹经验的绝句,诗云:“四十年来画竹枝,日间挥写夜间思。冗繁削尽留清瘦,画到生时是熟时。”郑板桥画竹是怎样削尽冗繁的呢?他在一幅画上题道:“始余画竹,能少而不能多;既而能多矣。又不能少:此层功力,最为难也。近六十外,始知减枝减叶之上。苏季子曰:‘简练以为揣摩’。文章绘事,岂有二道?此幅似得简字诀.”“一两三枝竹竿,四五六片竹叶,自然疏疏淡淡,何必重重叠叠?”板矫画竹,着墨不多,而县挂壁间,却能使人仿佛置身于窗外竹影萧疏、秋声飒飒的境界之中。这表明他在绘画上求少求简,绝不是为简而简,而是抓住事物的本质,以少胜多,在有限的画幅中含蕴无限的自然妙趣与艺术表现力。写 At the age of 66, Zheng Banqiao, a great painter in the Qing Dynasty, wrote a popular quatrall that summed up the experience of painting bamboo: “Painting bamboo shoots in the past 40 years and night time thinking.” Is cooked time. “Zheng Banqiao draw bamboo is how to cut the cumbersome it? He said in a painting:” the beginning of drawing bamboo, can not be more and can not; more can not do more. Not less: this skill, The most difficult also. Nearly sixty, began to know the above thorn reduction leaves .Subseason said: ’concise think try to figure out’ article painting, there is no second way? , 466 bamboo leaves, natural sparse light, why multiple overlapping? "Bamboo board bamboo, not much ink, but hanging wall between the county, but can make people feel like being outside the window Shuying Shaw, the sound of the autumn sound rustling Among them. This shows that he sought less Jane for painting. It is by no means simplistic, but seizes the essence of things, with less victory and more, with infinite natural charm and artistic expression in a limited frame. write