到了清代,以起源于江南昆曲,发展为国粹的京剧代表的戏剧已经不仅限于宫廷墙内、皇家大院中,而是逐渐成为各全社会都参与的一项活动,是人们生活中不可缺少的一部分,作为最高统治者的清朝皇帝对于戏剧基本持两种态度,一方面出于喜欢,给与支持,有些甚至皇帝还对戏剧产生浓厚的兴趣达到痴迷的程度,另一方面鉴于戏剧带来的种种不好影响,引发的一系列威胁 In the Qing Dynasty, the drama of Peking Opera originating from the Kunqu Opera in the Jiangnan Region and its development as a quintessence of Chinese culture has become more and more not only restricted to the palace walls and the imperial compound, but has gradually become an activity in which the entire society is involved. It is an indispensable part of people’s life As the highest ruler of the Qing Dynasty, the Qing emperor held two basic attitudes about drama. On the one hand, he liked and gave support. On the other hand, even the emperor had a keen interest in drama to the point of obsession. On the other hand, A variety of adverse effects, triggered by a series of threats