象数与巫术是中国古代神秘文化的重要组成部分 ,它反映了古人对宇宙、生命的认识。这种认识直接影响了古代文艺作品的意象、境界及结构方式。“取象知意”的观念使得作品意象被赋于丰富的内蕴 ;“心斋”、“坐忘”的思维状态使作品更倾向于天人合一的渺茫境界 ;而命有定数的观念甚至也直接反映在作品的结构上 Iconography and witchcraft are the important components of ancient Chinese mystical culture, which reflect the ancients’ understanding of the universe and life. This kind of understanding has a direct impact on the image, state and structure of ancient literary and artistic works. The concept of “taking the image as the object” makes the image of the work be given rich connotations; the state of mind of “mind zhai” and “forgetting to forget” make the works more inclined to the slimst realm of harmony between man and nature; Even directly reflected in the structure of the work