电影美学的迷航印证了观念上的误区新世纪以来,中国电影在创作上大踏步地前行,作品数量连年攀高,题材范围持续拓展,制片方式日趋多元。于此形成对照,理论却频频遭遇尴尬。一方面在应对急遽变化的电影业、迅速崛起的商业大片、无法摆脱“墙 Film aesthetics of the journeys confirms the misunderstanding of the concept Since the new century, Chinese film in the creative strides forward, the number of works climbing year after year, continued to expand the scope of the subject, the filming more and more diverse. In contrast, the theory is often embarrassed. On the one hand, in response to rapid changes in the film industry, the rapid rise of commercial blockbuster, can not get rid of ”wall