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明末清初戏曲家李渔提出过:“剧本剧本,一剧之本。”的理念。可见剧本是一部作品的基础,它的好坏直接关系到整部作品的质量。对于动画艺术也是如此,“动”与“画”只能说是动画的形式,表达方式或者技法等。那些感人肺腑的,长存记忆的,唤起心灵沉思的便是动画的内涵和思想,也就是剧本带给观者的收获。基于动画剧本是创造幻想空间这一特质,因此可以说想象体现动画剧本的基本特征。动画剧本利用想象营造一个原创性的奇幻空间,打破常规逻辑建立新逻辑,包含单纯美好的想象情怀。但这种想象并不是不着边际的空想,动画剧本的创作也和文学作品一样,是在现实的基础上想象。
Li Yu, a dramatist of the late Ming and early Qing dynasties, proposed: “The script script, the script of this drama.” Can see that the script is the basis of a work, its quality is directly related to the quality of the entire work. The same is true for the art of animation, “moving” and “painting” can only be said that the form of animation, expression or technique. Those touching, long-term memory, arouse the soul of meditation is the connotation and thinking of the animation, which is the screenplay to bring the viewer’s harvest. Based on the fact that animated script is a feature of creating an imaginary space, it can be said that imagination embodies the basic characteristics of animated script. Animated scripts use imagination to create an original fantasy space, breaking the conventional logic to establish new logic, including purely beautiful imagination. However, this kind of imagination is not an unrealistic dream. The creation of animated scripts is just like literary works, and is imagined on the basis of reality.