一年前,我所在的河南省文化艺术研究院启动了一项全省稀有剧种的调研工作,分配给我的剧种是怀梆。虽然说对任务的接受尚未达到“硬着头皮”的反感,但也绝没有“欣然应允”的欢喜。因为对怀梆着实没有多少了解,更谈不上兴趣和感情。转眼一年过去,十余次深入实地的调研,近百人次的访谈交流,尽一切可能的演出观摩……我不断地惊喜着、感动着、忧虑着。当这项工作即将告一段落的时候,猛然发现,自己对这个剧种竟有了一种情相通心相近的牵挂,对它的生存有了喜忧参半的关切。 A year ago, Henan Institute of Culture and Arts, where I was located, started a research project on the rare drama of the province, and the drama assigned to me was pregnant. Although the acceptance of the mission has not yet reached the “bite the bullet,” the resentment, but there is no “pleased to allow ” joy. Because there is really not much understanding of pregnant, let alone the interest and feelings. A year later, more than a dozen in-depth field research, nearly 100 person-to-person interviews and exchanges, to do everything possible to watch the show ... ... I am constantly surprised, touched, worried about. When the work was about to end, I suddenly realized that I had a similar feeling about the drama and had mixed and mixed concerns about its survival.