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早期日本句題詩是在一個寬泛而豐富的賦題類詩歌傳統中發展起來的,除備受矚目的句題詩之外,齊梁新體詩人創行的五言擬樂府賦題詩也是當時的日本漢詩詩人頗爲重視的一種詩歌樣式。通過建立相對應的參考系統以及切近的文本分析,本文發現平安朝詩人通過亦步亦趨地模仿齊梁擬樂府賦題詩的取題、賦題、結構乃至遣詞造句各方面的特徵而切實地掌握了齊梁新體詩的創作技巧,在對齊梁擬樂府賦題詩的模仿中,平安詩人筆下出現了最早一批體制較爲完善的五言律詩。正如句題詩規範了日本七律漢詩的作法一樣,擬樂府賦題法所發揮的作用是使日本五律的創作漸趨规范化。而在中日近體詩的比較研究中,應該如何有效利用域外文獻與中國典籍相互映發,從而發現和闡釋更多蒙塵的中日文學現象,是一個值得繼續探索的問題。
Early Japanese Sentenced Poetry was developed in a broad and rich style of poetic poetry. Apart from the highly regarded Sentence Poetry, the poet, Chinese poetry poet attaches great importance to a poetic style. Through the establishment of the corresponding reference system and the close text analysis, this paper finds that Ping An dynasty has mastered the characteristics of Qi Liang, Poetry creation skills, in the imitation of beam imitation of poetic imitation of the poet, Ping poet pen appeared the first batch of relatively perfect system of five-character law. Just as the sentence poems regulate the practice of the seven-character Chinese poems in Japan, the role played by the imitation of the poetic music is to standardize the creation of the Japanese Five-Law. However, in the comparative study of Chinese and Japanese modern poetry, how to effectively use the extracurricular literature and the Chinese classics to reflect each other so as to discover and interpret more and more dusty Chinese and Japanese literary phenomena is a question worth exploring.