众所周知,一个舞蹈作品的好坏取决于其形象与内涵,而决定舞蹈作品形象与内涵的则是舞蹈编导,所以,一个国家舞蹈事业的发展在很大程度上依赖于舞蹈编导水平的高低。正是基于此,本文着重探讨了新时期的舞蹈编导应具备的专业意识和思维方法,提出了舞蹈编导的“三重门”理论,致力于推进我国舞蹈编导在新时期的自我意识和思维改革。 As we all know, the quality of a dance piece depends on its image and meaning, while the dance piece is decided by the image and connotation of a dance piece. Therefore, the development of a country’s dance undertaking depends to a large extent on the level of the dance director. Based on this, this dissertation focuses on the professional consciousness and thinking method that dance choreographers should possess in the new era, puts forward the “triple doors” theory of choreographer and devotes itself to promoting self awareness and thinking of choreographers in our country in the new period reform.