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今年第55届威尼斯双年展争议颇多,德国馆不好好展出德国艺术,要展览中国异见人士艾未未的作品;中国则除了中国馆主体,又要涌来十个自筹经费的平行展;全球“各种郭凤仪(皮力语)”汇聚威尼斯,誓要把当代艺术搞成人类学报告会。威尼斯双年展某些衰落的趋势从前两届不时的失控与蹩脚就已经显现出来,若可概括,可以称其为国家馆制度的败坏与对国家馆制度批判的颓废。一切颓废似乎都来自历史感的丧失,所以我们或许应该先来回顾一下历史。威尼斯双年
This year’s 55th Venice Biennale has many controversies. The German Pavilion does not showcase German art well and wants to exhibit works by Ai Weiwei, a dissident in China. In addition to the main body of the China Pavilion, China also has ten parallel exhibitions that self-financed ; Global “Various Guo Fengyi (PiLi) ” converged on Venice and vowed to bring contemporary art into anthropology reporting. Some of the declining tendencies of the Venice Biennale have come to the fore since the two previous occasions of out of control and lameness. If we can summarize it, we can call it the corrupting of the national pavilion system and the decadent of criticizing the national pavilion system. All decadent seems to have come from the loss of history, so perhaps we should first review history. Venice two years