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谭鑫培(1847～1917)原籍湖北,京剧大师,是京剧发展史上承先启后的一代宗师。早年人称“谭叫天”,晚年人称“老谭”。他的戏曲艺术影响所及,上至宫庭皇室,下达市井百姓,是当时传播极广的通俗艺术。他的唱做表演,经过余叔岩、谭富英、言菊明、孟小冬等京剧艺术家的继承和发展,至今仍具有重大影响,是研究皮黄声腔必修的课题。陈彦衡(1964?～1934)原籍四川。京剧音乐史上的杰出人物,名琴师,名教师,曾为谭鑫培操琴,为余叔岩、言菊朋说戏,是研究谭鑫培唱腔的专家,著有《说谭》、《戏选》、《燕台菊萃》、《旧剧丛谈》等专著,曾用工尺谱记录了谭氏重点剧目十一出。《谭鑫培与陈彦衡》一文,选自1936年世界编译馆北平分馆出版、徐凌霄所著《皮黄文学研究》一书第五篇最后一节。这是一篇评论性文章,作者对谭鑫培与陈彦衡的京剧艺术有深入的分析和论述,对于研究我国现代戏曲音乐颇有价值,特此选刊供读者参考。
Tan Xinpei (1847 ~ 1917) is a native of Hubei and a master of Peking Opera. It is a great master who inherited the history of Peking Opera. Early people called “Tan called the sky”, later people called “Old Tan.” The influence of his opera art, ranging from royal court to royal court, was a popular art spread at that time. His performance of singing and acting, after Yu Shuyan, Tan Fuying, Yan Ju, Meng Xiaodong and other Beijing opera artists inheritance and development, still has a significant impact, is the study of the subject of leather yellow compulsory subjects. Chen Yanheng (1964 ~ 1934) origin Sichuan. Peking Opera’s outstanding music in the history of music, the name of the teacher, teacher, was Tan Xinpei Qinqin, for Yu Shuyan, Yan Jupeng said the play, is an expert Tan Xinpei singing, with “Tan”, “play election”, “ ”,“ Old drama Cong Tan ”and other monographs, has used the staff spectrum recorded Tan’s key repertoire eleven. “Tan Xinpei and Chen Yanheng” one article, selected from the 1936 World Compilation Museum Beiping Branch Publishing, Xu Lingxiao “leather yellow literature research,” the fifth chapter of the last one. This is a commentary. The author has an in-depth analysis and discussion of Peking opera art by Tan Xinpei and Chen Yanheng, which is of great value to the study of modern Chinese opera music.