山水画始于魏晋,成于隋唐,宋元达到高峰。因画家所处地域不同,五代始分南北两大风格体系:北方以荆浩为代表,善画层峦叠嶂,云中山顶,四面峻厚,大气磅礴的山水;而南方的董源则多作溪桥渔浦,洲渚掩映,峰峦出汲,云霞显晦的江南山乡景色。两派山水代相传承,造就了中国传统山水画的题材风格面貌:即画中多为山川、湖泊、泉溪。虽大至长江万里,及满纸皆水至多也是夏圭笔下的寒江独钓图或倪云林笔下的太湖,画史上却从未有画海洋山水名家的记载。当今鲁地徐生华是我所见闻的专门画海洋山水画名家,他现为中国海洋绘画研究院常务副院长,专门研究 Landscape painting began in Wei and Jin, Cheng Sui and Tang Dynasties, the Song and Yuan reached a peak. Due to the geographical differences of the painters, the Five Dynasties began to be divided into two major systems of North and South: the north is represented by Jing Hao, the good is the picturesque mountainous, the top of the mountain is surrounded by thick and magnificent landscapes; while the Dongyuan, Pu, continent Zhuzhu set off, peak learned, cloud Xia dark mountain scenery. The two schools of mountains and rivers are handed down from generation to generation, creating the theme and style of traditional Chinese landscape painting: that is, most of the paintings are mountains, lakes and springs. Although it is as large as the Yangtze River and is full of paper and water, it is also recorded by Xia Gui as a solitary fishing boat in the Yangtze River or Taihu Lake written by Ni Yunlin. Painting history has never been written by famous masters of the oceans. Today Ludi Xu Shenghua is what I have learned to specialize painting marine landscape painter, he is now the executive director of China Oceanographic Painting Institute, specializing in research