浙江山水画之所以形成“清润”的特点的原因有很多方面,主要原因在于:一是地理环境与人文环境会导致地域画家相对的共性追求;二是中国美术学院长期以来形成的教学传统;三是用墨的材料。用墨技法的发展和用墨审美标准的确立,与材料有密切关系。在元代,山水画发生巨大的变化与绢被纸取代不无关系,随着纸的性能的发现,于是产生干笔皴擦的笔墨技法,同时也产生了“干裂秋风,润含春雨”的用墨 There are many reasons for the formation of “Qingrun” in Zhejiang landscape painting. The main reasons are as follows: firstly, geographical environment and humanistic environment lead to the common pursuit of local painters; second, the long tradition of teaching tradition formed by China Academy of Art; Third, the ink material. The development of ink technique and the establishment of aesthetic standard of using ink are closely related to the materials. In the Yuan dynasty, the great changes of the landscape paintings were related to the fact that the silk was replaced by the paper. With the discovery of the paper’s performance, pen and ink techniques of dry brush and rubbing were produced. At the same time, “dry autumn wind and rain” With ink