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四川画派是80年代初在大的社会动荡刚刚平息后迅速在四川崛起的一支拥有很大影响力的艺术团体,受到七十年代末八十年代初“伤痕文学”的影响,美术界也出现以诘问文革和以社会情况为主题的绘画作品,史称“伤痕绘画”。四川画派作为“伤痕绘画”集大成者,在画面风格上首次打破了“文革”油画的虚伪和矫作,以真实灵动的艺术手法有力地控诉时代悲剧。随着中国经济体制的重心转移,“伤痕绘画”引领的艺术潮流开始向乡土现实主义转换过去。在乡土现实主义风格地践行之中,又以四川画家表现最为突出,成为四川画派形成的两股主要势力。
Sichuan Painting School was a very influential art group that quickly emerged in Sichuan in the early 1980s after the great social upheaval had just subsided. Influenced by “Scar Literature” in the late 1970s and early 1980s, The world also appeared to ask the Cultural Revolution and the social situation as the main theme of the painting, known as “Scar painting ”. As the master of “Scar Painting ”, Sichuan Painting School broke the hypocrisy and rectification of “Cultural Revolution ” oil painting for the first time in the style of painting, and effectively charged the tragedy of the times with the real and clever art. As the center of gravity of China’s economic system shifted, the art trend led by Scar Painting began to transform itself into local realism. In the practice of local realism style, but also the most prominent painter in Sichuan, Sichuan Painting School has become the formation of the two main forces.