从20世纪30年代开始,中国艺术受到西方艺术思潮的影响是巨大的,以主动接受西方写实主义艺术思潮的姿态,来改造中国的艺术。愈往后延伸愈动摇着中国传统艺术文化的根脉,使中西艺术的碰撞、交流不平等。尤其是20世纪80年代以来,西方中心主义思想在中西艺术的交流中非常突出,对话机制的规则几乎在西方,中国的艺术理论失去了话语权。因此,构建中国当代艺术理论话语体系,是中西比较艺术学需要在相互阐释和建立平等对话机制中解决的。用跨视域的视野和融会贯通中西双方的文化,阐释中西不同的艺术理论话语,增进了解,加强双方的对话,是当今研究中西艺术理论话语的基本要求和走向。 Since the 1930s, Chinese art has been greatly influenced by Western art trends, and has taken the initiative to accept the attitude of Western realist art trends to transform Chinese art. The more it extends, the more it shakes the roots of traditional Chinese art and culture, resulting in the collision and exchange of unfair Chinese and Western art. Especially since the 1980s, Western-centrism thought was very prominent in the exchange of Chinese and Western art. The rules of the dialogue mechanism were almost in the West, and the art theory of China lost its right of speech. Therefore, constructing the theoretical discourse system of Chinese contemporary art is that Chinese and Western comparative art needs to be solved in the mutual explanation and establishment of an equal dialogue mechanism. It is the basic requirement and direction for us to study the discourse of Chinese and Western art from the perspective of trans-horizon and to integrate the culture of China and the West so as to explain the different discourse of artistic theory between China and the West, enhance mutual understanding and strengthen the dialogue between the two sides.