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郭凤仪的探索充满了冒险性,最终变成了一个精神上和哲学上的问题。用绘画抗争痛苦和悲伤郭凤仪(1942—2010),从自发的涂涂画画开始,首先在过期的日历背面用简单的有色记号笔作画。然后她使用描图纸和墨水,无需草图,就能完成非常完善的作品,有时作品长达十米。她笔下的线条叠加,很快就出现了历史和宗教人物,也有美好的或令人不安的生物。
Guo Fengyi exploration full of adventure, eventually became a spiritual and philosophical issues. Painstaking Pain and Sadness with Pain Guo Fengyi (1942-2010) started with spontaneous painting and painting, first with a simple colored marker pen on the back of an expired calendar. Then she uses tracing paper and ink, and without sketches, she can do a perfect job, sometimes up to ten meters in length. The lines in her writing are superimposed, and soon history and religious figures appear, as well as beautiful or disturbing creatures.