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克里斯托弗·马洛的“热恋的牧羊人致情人”是英国伊丽莎白时代享有盛誉的一首牧歌。本文拟从女性主义批评和生态批评的视角对这篇文学经典进行重新解读,以期揭示在这首表达爱情的牧歌背后隐藏着男权中心文化中典型的男/女、人/自然的二元对立思想。
Christopher Malo’s “Passionate Shepherd” is a prestigious piece of pastoral music during the Elizabethan period in England. This essay intends to reinterpret this literary canon from the perspectives of feminist criticism and ecocriticism in order to reveal that the typical male / female / man / nature dual opposition in the patriarchal culture is hidden behind this love song thought.