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窥视作为刁斗小说创作的方法和手段,具有丰富的文化内涵。窥视主体以隐匿者和闯入者的双重身份呈现在文本中,承担了审视和介入都市的作用。作者的知识分子和都市人的身份特质及现实与先锋、身份与意识的巨大思想落差促使了其笔下人物的分裂性格的形成。窥视主体和客体的互置,既表达了人类的隐匿欲望,也体现了都市人之间的隔阂存在。窥视造成叙事空白,建构了开放式的叙事结构。读者的介入,形成窥视中的窥视和多层次的阐释空间,终将小说推动到人类生存哲学层面的思考。
Peeping as Diaodou fiction creation methods and means, with rich cultural connotation. The peeping subject is presented in the text in the dual identities of intruder and intruder, taking on the role of examining and intervening in the city. The author’s intellectuals and urban people’s identity characteristics and the reality and the vanguard identity and awareness of the huge gap in thought prompted the formation of the characters split personality. Peeping between the subject and the object of mutual, not only expressed the hidden desire of humanity, but also reflects the existence of the gap between urban people. Peeping creates narrative gaps and constructs an open narrative structure. Readers’ intervention, the formation of peep in the peep and multi-level interpretation of space, and ultimately promote the novel to the philosophy of human existence level of thinking.