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如果说这是一个美术馆的时代,那么大学的美术馆显然能够更好地践履美术馆的职责与功能(公共性与知识性2)。那些与艺术及文化相关的行为活动不是与大学分不开就是与大学中的师生密切关联,再加上艺术史、方法论、新学科几乎离不开大学这一主要阵地。于是,不以盈利为目标的大学美术馆,很容易成为纯粹精神的殿堂、思想的国度。在这样的背景下,作为小众领域的独立电影得以登堂入室,与象牙塔中的学子零距离接触。事实上,艺术院校的不少学生正对此有着浓厚兴趣,他们中的一些人更是有意向加入独立电影的行业。
If this is an era of art galleries, then it is clear that university galleries are better able to perform the functions and functions of the galleries (public and informative). Those activities related to arts and culture are not inseparable from the university or closely linked with teachers and students in the university. Coupled with the history of art and methodology, new disciplines can hardly be separated from the main university. Thus, not to profit for the goal of the University Art Museum, it is easy to become purely spiritual hall, the country of thought. In this context, independent films as a niche area were able to enter the classroom and come into close contact with students in the ivory tower. In fact, many students in art schools are very interested in this, and some of them are more interested in joining the independent film industry.