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在当代激荡的室内设计思潮中,无论是理性主义最忠诚的追随者,抑或是后现代主义最不羁的前卫,都予以肯定和重视的,就是室内设计的地方性(Regionalism)。室内设计为何能获得众多流派、思潮的青睐而历久不衰,我们如何树立正确的观念,发掘、整理、运用我国各地区室内设计的地方性,从而向更高层次奋进,是本文思考所在。作为本世纪初现代建筑及室内设计的起点,人们不会忘记维也纳建筑师卢斯(Adolf Loos),也许是他的《装饰与罪恶》一文的新思想为格罗庇乌斯(walter Gropius)、勒·柯布西耶(Le Corbusier)和密斯·凡·德·罗(Mies Van Der Rohe)等现代派大师开了现代建筑及室内设计的先河。现代派大师们审时度势,顺应工业文明的发展,为人类社会尽快解决普遍的、迫切的战后居住问题找到了颇为现实的途径。但从现在看来,现代派大师们过分强调建筑及室内的纯理性方面
In the contemporary stirring interior design trend, whether it is the most loyal follower of rationalism or the most unimpressive avant-garde of post-modernism, it is affirmed and valued by the localism of interior design (Regionalism). Why can interior design win the favor of many schools and trends and endure it forever? How do we establish correct concepts and explore, organize, and apply the local nature of interior design in all regions in China to advance to a higher level? As a starting point for modern architecture and interior design at the beginning of this century, people will not forget Adolf Loos, perhaps the new idea of his book “Decoration and Sin” is walter Gropius. Modern masters such as Le Corbusier and Mies Van Der Rohe pioneered modern architecture and interior design. The modernist masters reviewed the situation, conformed to the development of industrial civilization, and found a realistic way for human society to solve the universal and urgent post-war housing problem as soon as possible. But from now on, the modernist masters overemphasized the pure and rational aspects of architecture and interiors.